ExteriorThe natural and built environment provides exhilarating opportunities for sculpture and the applied arts.Interior | Sculpture | Musical View fullsize Entrance Gates, Kelvingrove Art Gallery and Museum, Glasgow. Stainless steel, height 2.8m. 2005 View fullsize Entrance Gates, Kelvingrove Art Gallery and Museum, Glasgow. Shown half open. View fullsize 'Acceleration', Gateshead, Tyne and Wear. Corten steel with stainless steel. Each screen is 8m long x 2.5m high, 2005 View fullsize Pedestrian Gate. Elgin. Corten with stainless steel. 1.8m. 2020 View fullsize Model, proposed Gate at National Museum of Scotland Archive, Edinburgh. View fullsize World Museum, Liverpool. Entrance gates and overhead window screens. A collaboration with glass artist Keiko Mukaide. Stainless steel, dichroic glass, 2005 View fullsize Steps Markers with Hand Rail. Ardtornish Estate, Morven. Steel with stainless steel. 2003 View fullsize Entrance Screens. New Customs House, Irvine, Ayrshire. Steel. 1996. View fullsize Entrance Gate, Railings, Banner Post, Signage. Usher Gallery, Lincoln. Forged steel, stainless steel, bronze and gilt detail. 1996 View fullsize Wall Screen. East London. Steel with stainless steel detail. 2012 View fullsize Garden Gate. Glasgow. Steel with stainless steel detail. 2012 View fullsize Garden Gate. Steel. Ilkley, Yorks. 1992 View fullsize Gates, set of three. National Trust, England. Anglesey Abbey, Cambridge. Corten steel with stainless steel. 2009 View fullsize Detail of Anglesey Abbey gates. Corten steel formed and fabricated. 2009 View fullsize "Benchmark". Seating in Norrie Miller Park, Perth, Scotland. Mild steel, oak, industrial brick. 1998 View fullsize John Creed at the power hammer in studio.